“Let your community feed your creativity.” –The Musician’s Way, p. 313 When we put on concerts, we work hard to ensure that everything goes well. All too often, though, we only give one performance in a community, when, with a bit more effort, we could touch countless...
“The Musician’s Way is fantastic, and is a must-read for every student and professional. . . . The book is a gold mine of information that will help musicians around the world.” —International Trumpet Guild Journal, Oct. 2011 The Spring/Summer...
“Elevate both your music making and your confidence to the highest possible levels.” –The Musician’s Way, p. 201 Rising performers who put on their own public concerts reap numerous benefits. They advance their careers, polish their artistic identities, refine their...
“When you step on stage, your awareness of your material will anchor your control and set your creativity free.” –The Musician’s Way, p. 37 Having coached countless aspiring musicians, I’ve found that many commit an avoidable misstep that profoundly limits their...
“Vision is the art of seeing things invisible.” –Jonathan Swift The Musician’s Way, p. 310 We all know that musical excellence results from smart, steady practice over a span of years. Still, it isn’t always easy for us to practice deliberately day after day....
“The Musician’s Way is wonderfully thought-out and organized. . . . The third chapter alone is worth about five times the cost of the book itself!” —David Hodge, GuitarNoise.com The Fall 2015 issue of The Musician’s Way Newsletter presents...
“A performer’s reputation is enhanced by or diminished with each musical interaction.” -The Musician’s Way, p. 306 I suspect that almost every skilled musician has been asked to perform free of charge, often by people and organizations that can...
“What is best in music is not to be found in the notes.” –Gustav Mahler (Gunther Schuller, The Compleat Conductor, Oxford, 1998, p. 106) If you’re a classical musician who aspires to a concert career, you’re in danger. In danger of becoming a commodity. That’s because...
“You can control your performance but not the result of an audition or a competition.” –The Musician’s Way, p. 221 Whenever you audition or compete, you offer yourself up for criticism. That criticism may be overt, as when judges provide comments, or it may be...
