“One should hunger after the whole concept, the whole mood, what the music stands for.” –William Pleeth, cellist The Musician’s Way, p. 71 When we approach an unfamiliar composition, I recommend that we map out a preliminary interpretation before we deal with...
“I don’t say that I never feel fear before a performance, but I have learned to channel it.” –Claudio Arrau, pianist The Musician’s Way, p. 162 Imagine that you’ve arrived at a venue 90 minutes before you’ll perform. You have to set up the stage, check the...
“You must start well, and you must end well. What is in the middle is not so important because no one is listening then.” –Maurice Chevalier, singer & actor The Musician’s Way, p. 180 I chuckle every time I read Chevalier’s words, but they...
“The beauty in playing the instrument is not to be better than the next person but to stay true to oneself, to set one’s own standards and keep to them.” –Andrés Cárdenes, violinist The Musician’s Way, p. 305 In many ways, we succeed or flounder as...
The June/July edition of The Musician’s Way Newsletter brings together 18 articles and online resources of value to musicians and all creative people. For instance, resilience is essential to creative work because it enables us to learn from setbacks and keep...