“Beyond personal fulfillment, the decisive aim of practice is to prepare performances because, as an art form, music centers on the interaction between performer and listener.” -The Musician’s Way, p. 4 For vocalists and instrumentalists alike, music making cycles...
“Give yourself over to the emotion of the music while you also lead the music, directing your execution and the emotional flow.” –The Musician’s Way, p. 187 Aspiring musicians work hard to develop technical and interpretive skills, which are the most obvious abilities...
“Let your community feed your creativity.” –The Musician’s Way, p. 313 If you aspire to present innovative or community-focused performances, there’s plenty of funding available to support those sorts of projects. In fact, many funding organizations are keen to...
“Ultimately, your musical progress will depend more on your skillfulness with the creative process than on any talent.” –The Musician’s Way, p. 313 When I teach introductory workshops on The Musician’s Way, I organize concepts using frameworks that musicians can...
“You adapt yourself to the contents of the paintbox.” —Paul Klee, painter The Musician’s Way, p. 121 Like a painter dipping into a limited palette, a musician practicing an isolated part has to adapt to material that’s incomplete. A part played or sung out of context...
“It’s very gratifying to improvise in front of people. I feel I’m including them in what I’m doing, taking them someplace they might like to go and haven’t been before.” -Jim Hall, guitarist The Musician’s Way, p. 102 Improvisation is the most playful way that we can...
