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The Twin Aims of Deliberate Practice

The Twin Aims of Deliberate Practice

by Gerald Klickstein | Aug 6, 2012 | creative process, music practice, performance anxiety, The Musician's Way

“Practice holds a place of honor in the life of a musician.” –The Musician’s Way, p. 4 All of us veteran musicians share the same twin aims when we practice: to polish our skills and prepare music for performances. We also know how to accomplish our goals efficiently....
Refining an Interpretation

Refining an Interpretation

by Gerald Klickstein | Jul 5, 2012 | creative process, music practice

“One should hunger after the whole concept, the whole mood, what the music stands for.” –William Pleeth, cellist The Musician’s Way, p. 71 When we approach an unfamiliar composition, I recommend that we map out a preliminary interpretation before we deal with...
7 Essentials of Artistic Interpretation

7 Essentials of Artistic Interpretation

by Gerald Klickstein | Feb 5, 2012 | creative process, music performance, music practice

“Don’t give notes. Give the meaning of the notes.” –Pablo Casals, cellist The Musician’s Way, p. 34 What does it take to give meaningful performances? To begin with, we have to awaken our imaginations so that every pitch we play or sing vibrates with life. Then,...
Scamper to Higher Creativity

Scamper to Higher Creativity

by Gerald Klickstein | Jul 28, 2011 | creative process, creativity, music practice

“Creativity requires the courage to let go of certainties.” –Erich Fromm, psychologist and author Is there a state of mind more adverse to creativity than rigid certainty? I doubt it. To create, we have to generate ideas that take us beyond the familiar confines of...
The Art of Spontaneity

The Art of Spontaneity

by Gerald Klickstein | Jun 23, 2011 | creative process, creativity, music performance, music practice

“At each concert, music is created anew, according to a performer’s imagination.” –The Musician’s Way, p. 112 Whenever we perform, we aim for that “in-the-moment” feeling. We strive to immerse ourselves and our listeners in the emotion of the music. Yet although...
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