“There must always be a sense of progression or movement towards definite landmarks.”
–Tobias Matthay, pianist
The Musician’s Way, p. 23
Rhythm comes alive when it propels listeners through a phrase via what we musicians term “forward motion.”
Aside from choosing a suitable tempo for a composition, two ways to create forward motion are to:
- Drive shorter notes toward longer notes
- Move from weaker beats toward stronger beats.
Creating Forward Motion in Music
Drive Shorter Notes toward Longer Notes
In the following excerpt from Mozart’s Sonata K. 333, the gravitational tug of the downbeats pulls the melody notes forward to the longer notes that conclude each bracketed group.
Play or sing the melody multiple times, and experiment with driving the shorter notes toward the longer ones.
Move from Weaker Beats toward Stronger Beats
When the note values in a composition are more uniform, one way to create forward motion is to slightly extend the durations of stronger or more prominent pitches and then push the subsequent weaker ones forward to the next stronger pitch.
Repeatedly vocalize or play the next example, and propel the sixteenth notes following a strong beat toward the strong beat to come. For example, you might extend the duration of the sixteenth notes on the first beat of each measure and do so minutely on the third beat.
As you play, take care not to distort the baseline pulse. Ensure that the first and third beats in each measure coincide with the pulse of a metronome (the second and fourth beats might or might not line up with the metronome).
Expressive Timing: The Backbone of Artistic Music Making
Yet expressive timing forms the backbone of artistic music making, so it’s a crucial area for aspiring musicians to study and refine, especially with the aid of a personal recorder.
© 2015 Gerald Klickstein
Adapted from p. 31-33 of The Musician’s Way