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The Power of Mental plus Physical Practice

The Power of Mental plus Physical Practice

by Gerald Klickstein | Dec 1, 2022 | memorization, music practice, The Musician's Way

“I suppose that when I play in public it looks easy, but before I ever came on the concert stage I worked very hard. And I do yet – but always putting the two things together, mental work and physical work.” -Jascha Heifetz, violinist (1901-1987) The Musician’s...
The Key Mental Skill of Expert Musicians

The Key Mental Skill of Expert Musicians

by Gerald Klickstein | Aug 29, 2020 | memorization, music performance, music practice, The Musician's Way

“When I sit in Paris in a café, surrounded by people, I don’t sit casually – I go over a certain sonata in my head and discover new things all the time.” —Arthur Rubinstein, pianist The Musician’s Way, p. 34 Like Arthur Rubinstein, countless expert musicians use...
Should Soloists Always Perform from Memory?

Should Soloists Always Perform from Memory?

by Gerald Klickstein | Jan 14, 2013 | memorization, music performance, performance anxiety

“Performing from memory can be a beautiful thing.” –The Musician’s Way, p. 82 As someone who has performed countless solos, I know the upsides and downsides of playing with and without a score. We musicians often debate whether to memorize or not, so...
The Four Stages of Memorization

The Four Stages of Memorization

by Gerald Klickstein | May 8, 2010 | memorization, music practice, The Musician's Way

“I’m very mistrustful of tactile memory. I think it’s the first thing that goes.” –André Watts, pianist The Musician’s Way, p. 82 Have you ever been blindsided by a memory lapse? Maybe you felt secure in practice, but, during a performance, you blanked on a...
“Memories are Made of This” Published in The Strad

“Memories are Made of This” Published in The Strad

by Gerald Klickstein | Sep 26, 2009 | memorization

The October 2009 issue of the UK monthly The Strad featured an article I wrote about memorization titled “Memories are Made of This.” I was invited to contribute to the magazine by its editor, Ariane Todes, after she attended a lecture I gave on the subject of...

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