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5 Steps to Better Classical Concerts

5 Steps to Better Classical Concerts

by Gerald Klickstein | Jan 12, 2017 | Entrepreneurship, music careers, music performance, stage presence

“As you perform, radiate the character of a composition.” –The Musician’s Way, p. 189 I’ve attended thousands of classical concerts, and despite my love of the music, I have to admit that fewer than 10% of those concerts were wholly or mostly enjoyable....
It’s Not Just How Good You Are

It’s Not Just How Good You Are

by Gerald Klickstein | Mar 10, 2015 | creativity, Entrepreneurship, music performance

It’s not just how good you are. It’s how intriguing. All of us musicians work hard to maintain and improve our skills. Too often, though, young musicians devote years to “getting better” without concurrently growing their distinctiveness, and...
3 Ways to Build Concert Programs

3 Ways to Build Concert Programs

by Gerald Klickstein | Nov 9, 2014 | creative process, Entrepreneurship, music careers, music performance

“Concerts need contrast – and lots of it.” -The Musician’s Way, p. 210 In previous articles, I’ve explored avenues to design concert programs that can attract diverse audiences. In this post, I offer tips to construct attractive programs primarily using...
3 Traits of Successful Concert Programs

3 Traits of Successful Concert Programs

by Gerald Klickstein | Oct 20, 2014 | Entrepreneurship, music careers, music performance

“Memorable concerts don’t merely deliver what’s expected; they also take audiences beyond what they can envision.” -The Musician’s Way, p. 211 We musicians have it in our power to attract hordes of enthusiastic fans. And one of the most effective ways we can do so is...
7 Tips for Designing Concert Programs

7 Tips for Designing Concert Programs

by Gerald Klickstein | Jan 8, 2012 | Entrepreneurship, music careers, music performance

“Programs are a bit like prix-fixe menus in a restaurant: We can’t serve music à la carte . . . so our menu has to be quite diverse and – tasty.” -Eckart Preu, conductor The Musician’s Way, p. 212 Musicians who can transfix audiences succeed...
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