“Many musicians perform freely in front of people but become self-conscious when recording.” –The Musician’s Way, p. 222 For countless aspiring musicians, recording sessions are trying affairs. All too often, when the recording gear switches on, artistic and technical...
“Practicing well is virtually an art in itself – the art of achieving economy of time and means.” –David Soyer, cellist The Musician’s Way, p. 20 When we practice well, we don’t just get great results; we also reach our goals with optimal efficiency. We work...
“The creative mind plays with the objects it loves.” –Carl Jung, psychologist Psychological Types, p. 123 Can deliberate practice be both productive and playful? That is, can we zero in on specific tasks in practice, work intensely, and feel exuberant at...
“Slow practice can establish habits that are completely unrelated to the coordination demanded for speed.” –Abby Whiteside, pianist The Musician’s Way, p. 48 All of us acknowledge the value of slow practice: by working at deliberate tempos, we cultivate the ease that...
“The most important practice session of the week isn’t the one right before your lesson; it’s the one right after.”–The Musician’s Way, p. 296 As lessons or performances approach, many music students ramp up their practice time; then, afterward, they ease off. I think...
“Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain” –George Szell, conductor (George Szell: A Life in Music, p. 212) Have you ever heard a note-perfect performance...
“The details are not the details. They make the design.” –Charles Eames, designer For musicians and designers alike, our approach to detail largely determines whether our work soars or flops. Compare, for instance, these two performers: Musician 1 performs with...
“Of all my skills, none is more important than the ability to organize my time.” –Twyla Tharp, choreographer The Creative Habit, p. 178 Whether you’re a mature musician or a rising one, your creative output will hinge on your knack for allocating practice time and...
“If you start with something that’s fake, you’re always covering your tracks.” –Paul Simon, singer-songwriter Is there really a fast track to mastering an unfamiliar composition? I’m convinced that there is. And its use can not only speed up the learning process but...
