“We get messed up because we don’t have a clear image . . . and thereby give ourselves too many conflicting messages about how to play.” -Eloise Ristad, A Soprano on Her Head, p. 116-117 The first stages of working on a piece set the foundation upon...
“Give yourself over to the emotion of the music while you also lead the music, directing your execution and the emotional flow.” –The Musician’s Way, p. 187 Aspiring musicians work hard to develop technical and interpretive skills. After all, those are the most...
“When I sit in Paris in a café, surrounded by people, I don’t sit casually – I go over a certain sonata in my head and discover new things all the time.” —Arthur Rubinstein, pianist The Musician’s Way, p. 34 Like Arthur Rubinstein, countless expert musicians use...
“The mind always has to anticipate the physical action that is to be taken and then to send the command for its execution.” –Ivan Galamian, violin teacher The Musician’s Way, p. 48 Of all the skills required to perform music, one of the most vital ones is also the...
“To rely on muscular habit, which so many do in technique, is indeed fatal. A little nervousness, a muscle bewildered and unable to direct itself, and where are you? For technique is truly a matter of the brain.” –Fritz Kreisler, violinist (quoted in, Kato...
