“Errors are inevitable, but suffering as a result of them is optional.” –The Musician’s Way, p. 193 Of all the skills I teach to performers, one of the most challenging ones for them to master involves the handling of on-stage mistakes. All too often, errors churn up...
“To make the most of a performance, the key is to be open to your experience and to discover new things in both the music and yourself.” The Musician’s Way, p. 208 The April/May edition of The Musician’s Way Newsletter looks into career-building strategies, new...
“The key to harnessing on-stage energy is to use it for music-making purposes” –The Musician’s Way, p. 186 Let’s say that you’re walking on stage to begin a performance. Your heart’s beating somewhat fast and your hands feel cool; maybe your mouth turns dry. Are you...
“Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain” –George Szell, conductor (George Szell: A Life in Music, p. 212) Have you ever heard a note-perfect performance...
“Your imagination with programming can make the difference between your becoming either a busy performer with an eager audience or one who performs little.” -The Musician’s Way, p. 216 Why do people attend concerts by rising musicians? Primarily because they feel...
