“Begin slowly and increase gradually any unaccustomed use of the hands.” –Michael Charness, MD The Musician’s Way, p. 237 Guitarists Billy McLaughlin and Liona Boyd, pianists Leon Fleischer and Gary Graffman – all are musicians whose careers were upended by the...
“The simplest things are the ones that count.” –Pablo Casals, cellist Casals and the Art of Interpretation, p. vi Have you ever dealt with discomfort caused by sitting? Most of us sit for hours each day as we practice, study, and use computers. I’ve observed, though,...
“Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain” –George Szell, conductor (George Szell: A Life in Music, p. 212) Have you ever heard a note-perfect performance...
“The mind always has to anticipate the physical action that is to be taken and then to send the command for its execution.” –Ivan Galamian, violin teacher The Musician’s Way, p. 48 Of all the skills required to perform music, one of the most vital ones is also the...
“Don’t play what’s there, play what’s not there.” –Miles Davis, trumpeter and composer* Miles Davis poetically captures the essence of artistic musicianship. How do we attain such comprehensive fluency? General and Specialized Expertise Basically, we become capable...
“The job of the artist is always to deepen the mystery.” –Francis Bacon, painter* We musicians have much to master along the road to acquiring expertise. And the demands of practice can sometimes be daunting. But as we build up our skills, we need to remember that, in...
“The details are not the details. They make the design.” –Charles Eames, designer For musicians and designers alike, our approach to detail largely determines whether our work soars or flops. Compare, for instance, these two performers: Musician 1 performs with...
“Masterful performers exhibit ease in all that they do on stage.” –The Musician’s Way, p. 21 There’s no better way for us musicians to make our audiences receptive than to project ease and enjoyment from the stage. What’s more, by embodying ease, we facilitate...
“To rely on muscular habit, which so many do in technique, is indeed fatal. A little nervousness, a muscle bewildered and unable to direct itself, and where are you? For technique is truly a matter of the brain.” –Fritz Kreisler, violinist (quoted in, Kato...
