“It was when I found out I could make mistakes that I knew I was on to something.” -Ornette Coleman, saxophonist & composer The Musician’s Way, p. 190 In the discovery phase of practice, all of us make errors as we try out interpretive and technical...
“Only after I have become familiar with the style and character of the work can I start shaping an interpretation.” Yo-Yo Ma The Musician’s Way, p. 24 On a primary level, musical interpretation conveys fluctuations in emotional intensity. And one of the best ways to...
“Mr. Klickstein presents so much helpful information that you will be itching to sit at the piano with his book beside you while you practice.” -Natalie Wickham, Music Matters Blog Thousands of readers are now enjoying the Spring 2018 issue The Musician’s Way...
“Whatever music you play or sing, your aim is to express musical ideas, not spew out notes.” The Musician’s Way, p. 24 Many years ago I had lunch with two veteran music teachers who advocated what I call the “notes first” practice method. In their estimation, students...
“When you don’t transmit irritation from mechanical breakdowns, an audience finds them interesting and even amusing.” –The Musician’s Way, p. 195 Thorough preparation underpins every successful performance. But even when we’re fully geared up...
