“Music is indivisible. The dualism of feeling and thinking must be resolved to a state of unity in which one thinks with the heart and feels with the brain” –George Szell, conductor (George Szell: A Life in Music, p. 212) Have you ever heard a note-perfect performance...
“Your imagination with programming can make the difference between your becoming either a busy performer with an eager audience or one who performs little.” -The Musician’s Way, p. 216 Why do people attend concerts by rising musicians? Primarily because they feel...
“Ideas are like rabbits. You get a couple and learn how to handle them, and pretty soon you have a dozen.” –John Steinbeck* If you’re a musician who brims with ideas, you’ve probably learned piles of repertoire that you’d like to maintain. Still,...
“Before you play, you must prepare your way.” Stéphane Grappelli, violinist The Musician’s Way, p. 157 In my previous post, “The Preparation Timeline,” I contended that when we book a performance, an audition, or a recording session, a written timeline...
“With big events, the artistic and logistical details can reach nerve-racking proportions.” –The Musician’s Way, p. 216 We all know that excellent performances result from thorough preparation. But preparing for concerts, auditions, and recording sessions entails...
“The mind always has to anticipate the physical action that is to be taken and then to send the command for its execution.” –Ivan Galamian, violin teacher The Musician’s Way, p. 48 Of all the skills required to perform music, one of the most vital ones is also the...
“Our object is to minimize the contrast between studio practice and public performance.” –Philip Farkas, hornist The Art of Musicianship, p. 48 When you start practicing an unfamiliar piece, does your learning process go smoothly and then culminate in secure,...
“When you project a centered presence from the stage, your audience becomes attentive and relaxed.” –The Musician’s Way, p. 180 To make our best music, we performers need to be mentally, physically, and emotionally in sync. In a word: centered. Then, assuming...
“Masterful performers exhibit ease in all that they do on stage.” –The Musician’s Way, p. 21 There’s no better way for us musicians to make our audiences receptive than to project ease and enjoyment from the stage. What’s more, by embodying ease, we facilitate...
