“You can control your performance but not the result of an audition or a competition.” –The Musician’s Way, p. 221 Whenever you audition or compete, you offer yourself up for criticism. That criticism may be overt, as when judges provide comments, or it may be...
“I may play the same program from one recital to the next, but I will play it differently. And because it is always different, it is always new.” —Vladimir Horowitz, pianist The Musician’s Way, p. 75 Most of us musicians develop a core repertoire that we perform for...
“The quality of your tone will probably have a more immediate impact on listeners than any other feature of your execution.” –The Musician’s Way, p. 22 We performers know the power of tone quality. Sweet tones can charm, almost like magic, and harsh sounds quickly put...
“Treat everything you play on your instrument as an important piece of music, even if you are just warming up.” -Wynton Marsalis The Musician’s Way, p. 22 Countless musicians set their instruments aside as their lives unfold, yet their desire to make music remains. If...
It’s not just how good you are. It’s how intriguing. All of us musicians work hard to maintain and improve our skills. Too often, though, young musicians devote years to “getting better” without concurrently growing their distinctiveness, and...
“Concerts need contrast – and lots of it.” -The Musician’s Way, p. 210 In previous articles, I’ve explored avenues to design concert programs that can attract diverse audiences. In this post, I offer tips to construct attractive programs primarily using...
