Introduction to The 4 Types of Music Editions Have you ever performed a piece of music for a teacher or coach only to learn that the printed edition you’re using contains errors or odd revisions? This post describes the 4 types of music editions: 1. Facsimile 2....
Let’s say that you’re about to practice a new piece of music: What’s your typical plan of attack? Researchers have observed that expert and student musicians display profound differences in their approaches to learning new material, and those differences lead to huge...
It’s 10:00 a.m., and I’ve already practiced for a couple of hours. I practiced yesterday, too, and I’ll practice tomorrow. Like musicians everywhere, practice is central to the rhythm of my life. What keeps us musicians practicing? Self-motivation is a big part of it....
Do you ever dodge your creative work? Say, your practice or writing time arrives, and you race off to do some chore. It might be a chore that you detest, but now it calls to you. Then, instead of refining your music, you start cleaning the house or doing whatever. If...
Have you ever been confounded by a thorny passage that wouldn’t come together? You know, the sort of material where even after days of working on the music, you notice no real improvement. Probably every musician encounters such problem spots from time to time....
Chapter 2 of The Musician’s Way spells out deep practice principles and provides frameworks that get fleshed out throughout the text. The individual sections are titled: Practicing Deeply Habits of Excellence Essentials of Artistic Interpretation Mental Imaging...
This is the first of periodic posts in which I summarize how I use The Musician’s Way in my studio teaching. Here, I focus on Chapter 1. My class of guitar students at the University of North Carolina School of the Arts includes graduate and undergraduate students as...
“Take the action and the insight will follow.” -Anne Lamott, author The Musician’s Way, p. 107 Whether we plan to create a performance, composition, essay, or mousetrap, we have to launch our project and work on it regularly. But we all know that creative ventures...
“The path you take is your path and no one else’s, so welcome it.” -The Musician’s Way, p. 314 To build our abilities as performers, we have to develop personally effective ways to practice, collaborate, present concerts, engage with our communities,...
