“We get messed up because we don’t have a clear image . . . and thereby give ourselves too many conflicting messages about how to play.” -Eloise Ristad, A Soprano on Her Head, p. 116-117 The first stages of working on a piece set the foundation upon...
“I suppose that when I play in public it looks easy, but before I ever came on the concert stage I worked very hard. And I do yet – but always putting the two things together, mental work and physical work.” -Jascha Heifetz, violinist (1901-1987) The Musician’s...
“Give yourself over to the emotion of the music while you also lead the music, directing your execution and the emotional flow.” –The Musician’s Way, p. 187 Aspiring musicians work hard to develop technical and interpretive skills, which are the most obvious abilities...
“Performing from memory can be a beautiful thing.” –The Musician’s Way, p. 82 As someone who has performed countless solos, I know the upsides and downsides of playing with and without a score. We musicians often debate whether to memorize or not, so...
“I’m very mistrustful of tactile memory. I think it’s the first thing that goes.” –André Watts, pianist The Musician’s Way, p. 82 Have you ever been blindsided by a memory lapse? Maybe you felt secure in practice, but, during a performance, you blanked on a...
