“When you step on stage, your awareness of your material will anchor your control and set your creativity free.” –The Musician’s Way, p. 37 Having coached countless aspiring musicians, I’ve found that many commit an avoidable misstep that profoundly limits their...
“The Musician’s Way is a gold mine of information that will help musicians around the world.” —International Trumpet Guild Journal, October 2011 In the Spring 2015 edition of The Musician’s Way Newsletter you’ll find a unique collection of articles chosen...
“Divergent thinking is more about asking questions than finding answers.” -The Musician’s Way, p. 55 The Winter 2015 edition of The Musician’s Way Newsletter offers a sweeping collection of articles and resources for musicians. From inspiring stories...
“Whatever music you play or sing, your objective is to express musical ideas, not spew out notes.” -The Musician’s Way, p. 24 Accomplished musicians bring vibrancy to every sound they make – there’s an emotional power to their music that...
“Keen self-listening is central to musical excellence.” -The Musician’s Way, p. 16 Without the ability to hear ourselves precisely, we can’t perform to professional standards nor solve problems in practice. Fortunately, today’s digital recorders empower us...
“For music and service to become your way of life, you must confront economic realities.” -The Musician’s Way, p. 299 Aspiring classical musicians commonly study in a context resembling the ancient “master-apprentice” model. That is, they take...
“No pitch is merely a pitch; each one has a living quality.” -The Musician’s Way, p. 20 The February 2013 edition of The Musician’s Way Newsletter has arrived in subscribers’ inboxes and is being widely shared. As usual, the newsletter incorporates more than 15...
“Practice holds a place of honor in the life of a musician.” –The Musician’s Way, p. 4 All of us veteran musicians share the same twin aims when we practice: to polish our skills and prepare music for performances. We also know how to accomplish our goals efficiently....
“One should hunger after the whole concept, the whole mood, what the music stands for.” –William Pleeth, cellist The Musician’s Way, p. 71 When we approach an unfamiliar composition, I recommend that we map out a preliminary interpretation before we deal with...
