“To escalate the tempo of newly learned material, you first have to reduce the effort required to play or sing it at your initial tempo.” –The Musician’s Way, p. 73 Some of the thorniest challenges we encounter in practice surround increasing the tempos of newly...
“Performing from memory can be a beautiful thing.” –The Musician’s Way, p. 82 As someone who has performed countless solos, I know the upsides and downsides of playing with and without a score. We musicians often debate whether to memorize or not, so...
“Take the action and the insight will follow.” –Anne Lamott, author The Musician’s Way, p. 107 Suppose that you want to start a creative project – compose a solo, write a song, design a logo, or whatever. You’ve done your research and set aside time to...
“I continued to play with a sore arm with the rationalization that I could play through the pain and that the discomfort would just miraculously go away as I got into better shape as a cellist. But the pain didn’t go away. It got worse.” –Janet Horvath, cellist The...
“A concert may end when the applause fades, but your artistic work and your responsibilities as a performer are far from complete.” –The Musician’s Way, p. 196 As you exit the stage at the end of a performance, how do you typically feel? Then, when you interact with...