“You adapt yourself to the contents of the paintbox.” —Paul Klee, painter The Musician’s Way, p. 121 Like a painter dipping into a limited palette, a musician practicing an isolated part has to adapt to material that’s incomplete. A part played or sung out of context...
“Collaborative music making is one of life’s true joys.” –The Musician’s Way, p. 114 It’s difficult to describe the magical feeling of synchronized music making. Suffice it to say that when we make music together, we ascend to loftier planes. But to reach...
“In any collaborative enterprise, one of your duties is to help your colleagues feel successful.” -The Musician’s Way, p. 117 It’s not easy to succeed in the music world, and we musicians can sometimes compete with rather than support each other....
“We’re smart enough and clever enough to give each other room to live in, to have respect for each other’s personalities.” -John Lewis, pianist, Modern Jazz Quartet The Musician’s Way, p.120 Unlike when we play or sing in conductor-led ensembles,...
“Wise artists seek out critical evaluations.” -The Musician’s Way, p. 297 Musical collaborators come together out of a shared passion for music. And intense feelings about art can stir up ardent criticisms. How can we harmonize the critical give-and-take that’s...
“Make the most seemingly insignificant part feel good for the rest of the ensemble.” -Wynton Marsalis The Musician’s Way, p. 123 We musicians spend vast amounts of time practicing alone. But to make music collectively, we need skills beyond those we rely...
