“The mind always has to anticipate the physical action that is to be taken and then to send the command for its execution.” –Ivan Galamian, violin teacher The Musician’s Way, p. 48 Of all the skills required to perform music, one of the most vital ones is also the...
“Our object is to minimize the contrast between studio practice and public performance.” –Philip Farkas, hornist The Art of Musicianship, p. 48 When you start practicing an unfamiliar piece, does your learning process go smoothly and then culminate in secure,...
“Your most fertile source of creative energy is a compelling artistic vision.” –The Musician’s Way, p. 310 Among the many factors that lead to artistic achievement, the most decisive one may be the least visible. Yet it’s the reason we veteran musicians practice,...
“The details are not the details. They make the design.” –Charles Eames, designer For musicians and designers alike, our approach to detail largely determines whether our work soars or flops. Compare, for instance, these two performers: Musician 1 performs with...
“Masterful performers exhibit ease in all that they do on stage.” –The Musician’s Way, p. 21 There’s no better way for us musicians to make our audiences receptive than to project ease and enjoyment from the stage. What’s more, by embodying ease, we facilitate...
“The single most important goal for performing artists is to see how they are doing.” –Itzhak Perlman The Musician’s Way, p. 202 Suppose that you’re practicing a new piece. How do you know that one portion is learned securely enough for you to tackle another? Later...
“There is nothing more fatal for our musical sense, than to allow ourselves – by the hour – to hear musical sounds without really listening to them”-Tobias MatthayThe Musician’s Way, p. 16 Imagine that you’re watching an artist paint in her studio: She spreads color...
