by Gerald Klickstein | Jun 17, 2017 | creative process, music literature, Self-recording, The Musician's Way
“When musicians with scant listening experience try to play or sing repertoire from unfamiliar genres, they produce the musical equivalent of a clumsy accent.” -The Musician’s Way, p. 98 Most of us can recall hearing music that left us cold initially but that we...
by Gerald Klickstein | May 15, 2016 | Entrepreneurship, music careers, music performance
“Elevate both your music making and your confidence to the highest possible levels.” –The Musician’s Way, p. 201 Rising performers who put on their own public concerts reap numerous benefits. They advance their careers, polish their artistic identities, refine their...
by Gerald Klickstein | Apr 25, 2016 | Entrepreneurship, music careers, music performance
“When you step on stage, your awareness of your material will anchor your control and set your creativity free.” –The Musician’s Way, p. 37 Having coached countless aspiring musicians, I’ve found that many commit an avoidable misstep that profoundly limits their...
by Gerald Klickstein | Mar 28, 2016 | creative process, music careers, music practice
“Vision is the art of seeing things invisible.” –Jonathan Swift The Musician’s Way, p. 310 We all know that musical excellence results from smart, steady practice over a span of years. Still, it isn’t always easy for us to practice deliberately day after day....
by Gerald Klickstein | Aug 30, 2015 | creative process, music performance, music practice
“Playing is never difficult; it is either easy, or it is impossible.” -Kato Havas, violinist The Musician’s Way, p. 21 We all love how it feels to play or sing with ease. That sense of freedom we enjoy when physical tension melts away and mental...
by Gerald Klickstein | Jul 26, 2015 | creativity, music performance, music practice
“I may play the same program from one recital to the next, but I will play it differently. And because it is always different, it is always new.” —Vladimir Horowitz, pianist The Musician’s Way, p. 75 Most of us musicians develop a core repertoire that we perform for...
by Gerald Klickstein | Jul 19, 2015 | creativity, music literature, music practice
“Only after I have become familiar with the style and character of the work can I start shaping an interpretation.” —Yo-Yo Ma, cellist The Musician’s Way, p. 24 Suppose that you’re an actor who has been hired to perform in a play. When you receive the script, what...
