“My biggest kick in music – playing or writing – is when I have a problem. Without a problem to solve, how much interest do you take in anything?”
–Duke Ellington (The Musician’s Way, p. 54)
No matter how musically advanced we become, we encounter passages that defy easy mastery.
Some push our technical limits; others challenge us artistically.
Performers label those passages “problem spots,” but in spite of that ominous name, all musicians need such spots.
By tackling them, we exit familiar territory and climb to new levels of competence. And when we acquire the means to untangle predicaments creatively, problem solving becomes one of the most rewarding aspects of our practice.
Students often mistakenly believe that mature artists don’t run into vexing problems. Not so. One of the most vital skills that elite musicians possess is that they’re masters at morphing dilemmas into art.
Aspiring musicians can become fluent problem-solvers too, but they need to acquire specific know-how.
Creative Problem-Solving Explained
It begins by considering how we approach problems, emphasizing the importance of divergent thinking.
Next, it describes a potent 3-stage problem-solving process illustrated with dozens of music examples:
1. Recognizing that a problem exists
2. Isolating and defining the problem
3. Applying problem-solving tactics
Now in its 14th printing, the book has earned worldwide praise. I invite you to take a look.
If you’ve applied the book’s problem-solving strategies in your practice, feel welcome share your experiences here.
Preview The Musician’s Way at Amazon.com – purchase the paperback in the U.S., and the e-book is only $2.99!
© 2016 Gerald Klickstein
Adapted from p. 54 of The Musician’s Way
Photo via the Smithsonian Institution