Why write about music and musical expertise? Is it as abstruse as that old saw – “Writing about music is like dancing about architecture” – would lead us to believe? In the Preface to The Musician’s Way, I wrote, “Words are destined to fall short when it comes to...
“Take the action and the insight will follow.” -Anne Lamott, author The Musician’s Way, p. 107 Whether we plan to create a performance, composition, essay, or mousetrap, we have to launch our project and work on it regularly. But we all know that creative ventures...
“There is nothing more fatal for our musical sense, than to allow ourselves – by the hour – to hear musical sounds without really listening to them”-Tobias MatthayThe Musician’s Way, p. 16 Imagine that you’re watching an artist paint in her studio: She spreads color...
“The real reason that I haven’t performed live for a long time is that I have very severe hearing damage.” -Pete Townshend The Musician’s Way, p. 277 True story: A percussion professor was concerned about the sound levels at his music school, so he...
Envision standing at a stage door, seconds before your entrance at a solo or small-group concert. The hall darkens; the audience quiets. A stagehand whispers: “Ready?” Let’s stop here and give this scenario a closer look. The backstage scene probably resembles a...
