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The Problems with “Notes First” Practice

The Problems with “Notes First” Practice

by Gerald Klickstein | May 15, 2018 | creative process, music practice, The Musician's Way

“Whatever music you play or sing, your aim is to express musical ideas, not spew out notes.” The Musician’s Way, p. 24 Many years ago I had lunch with two veteran music teachers who advocated what I call the “notes first” practice method. In their estimation, students...
The 4 Cornerstones of Musical Collaboration

The 4 Cornerstones of Musical Collaboration

by Gerald Klickstein | Mar 6, 2018 | collaboration, creative process, music careers, music practice

“Collaborative music making is one of life’s true joys.” –The Musician’s Way, p. 114 It’s difficult to describe the magical feeling of synchronized music making. Suffice it to say that when we make music together, we ascend to loftier planes. But to reach...
The 5 Practice Zones

The 5 Practice Zones

by Gerald Klickstein | Dec 13, 2017 | creative process, music practice, The Musician's Way

“There can be so much to cover in a practice session that it can seem overwhelming.” –The Musician’s Way, p. 6 Even for professional musicians, it isn’t easy to manage large numbers of practice tasks. But whatever our level of musical development, all of our...
Varied, Distributed, and Interleaved Practice

Varied, Distributed, and Interleaved Practice

by Gerald Klickstein | Oct 14, 2017 | creative process, music practice

“To get to authenticity, you really keep going down to the bone, to the honesty and the inevitability of something.” –Meredith Monk, singer & composer The Musician’s Way, p. 19 Although we musicians practice in personalized ways, there are three fundamental...
Perceptive Listening Promotes Better Performing

Perceptive Listening Promotes Better Performing

by Gerald Klickstein | Jun 17, 2017 | creative process, music literature, Self-recording, The Musician's Way

“When musicians with scant listening experience try to play or sing repertoire from unfamiliar genres, they produce the musical equivalent of a clumsy accent.” -The Musician’s Way, p. 98 Most of us can recall hearing music that left us cold initially but that we...
Design Thinking for Audience Development

Design Thinking for Audience Development

by Gerald Klickstein | Mar 30, 2017 | creative process, Entrepreneurship, music careers, music performance

“Audiences differ as much as individuals do.” –The Musician’s Way, p. 209 For musicians, career sustainability hinges on audience development. When we continually attract new listeners, our revenues grow, and we gain the freedom to fully devote ourselves to our art....
Small Steps, Big Results

Small Steps, Big Results

by Gerald Klickstein | Mar 28, 2016 | creative process, music careers, music practice

“Vision is the art of seeing things invisible.” –Jonathan Swift The Musician’s Way, p. 310 We all know that musical excellence results from smart, steady practice over a span of years. Still, it isn’t always easy for us to practice deliberately day after day....
Artistic Growth During Repetitive Practice

Artistic Growth During Repetitive Practice

by Gerald Klickstein | Mar 20, 2016 | creative process, music practice, The Musician's Way

“Repetition inevitably begets habits.” –The Musician’s Way, p. 52 Over the course of our lives, we musicians do a lot of repeating. There’s standard repertoire that we perform for years, and we revisit exercises to keep our technical abilities strong. On top of...
The Creative Power of Problems

The Creative Power of Problems

by Gerald Klickstein | Feb 28, 2016 | creative process, music practice, The Musician's Way

“My biggest kick in music – playing or writing – is when I have a problem. Without a problem to solve, how much interest do you take in anything?” –Duke Ellington The Musician’s Way, p. 54 No matter how musically advanced we become, we encounter passages...
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