“You don’t drown by falling in the water; you drown by staying there.” -The Musician’s Way, p. 196 In Chapter 10 of The Musician’s Way, I emphasize that musicians should view errors not as shameful failures but as neutral information. Having such a healthy...
“Advantageous postures have an active quality; they’re always subtly in motion.” -The Musician’s Way, p. 251 In his book, On Piano Playing, Gyorgy Sandor identifies two features of beneficial postures: stability and mobility. That is, they support the weight of...
“Ten dubious repetitions plus a single accurate one don’t equal security.” –The Musician’s Way, p. 52 Naïve practicers might repeat a passage profusely and make error after error. Then, on the eleventh try, when it finally comes out right, they say, “There, I’ve got...
“It was when I found out I could make mistakes that I knew I was on to something.” -Ornette Coleman, saxophonist & composer The Musician’s Way, p. 190 In the discovery phase of practice, all of us make errors as we try out interpretive and technical...
“Only after I have become familiar with the style and character of the work can I start shaping an interpretation.” Yo-Yo Ma The Musician’s Way, p. 24 On a primary level, musical interpretation conveys fluctuations in emotional intensity. And one of the best ways to...
“Whatever music you play or sing, your aim is to express musical ideas, not spew out notes.” The Musician’s Way, p. 24 Many years ago I had lunch with two veteran music teachers who advocated what I call the “notes first” practice method. In their estimation, students...
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