“Beyond personal fulfillment, the decisive aim of practice is to prepare performances because, as an art form, music centers on the interaction between performer and listener.” -The Musician’s Way, p. 4 For vocalists and instrumentalists alike, music making cycles...
“Performance anxiety doesn’t yield to band-aid solutions, nor does it abate on its own.” -The Musician’s Way, p. 146 Camille was a 19-year-old amateur pianist who excelled in school but was petrified to play in public.* Her anxiety had surfaced in...
“With intelligent effort, performance anxiety and all of its effects can cease to be an inhibiting factor in your life.” –The Musician’s Way, p. 151 The Fall 2024 issue of The Musician’s Way Newsletter has landed in subscribers’ inboxes. This new edition...
“Programs are a bit like prix-fixe menus in a restaurant: We can’t serve music à la carte . . . so our menu has to be quite diverse and – tasty.” -Eckart Preu, conductor The Musician’s Way, p. 212 Data from the U.S. National Endowment for the Arts show that two of the...
“The performers who connect from the stage establish emotional relationships with their audiences.” –The Musician’s Way, p. 188 The Summer 2024 issue of The Musician’s Way Newsletter has arrived in subscribers’ inboxes and is being enthusiastically shared....
