“We get messed up because we don’t have a clear image . . . and therefore give ourselves too many conflicting messages about how to play.” -Eloise Ristad A Soprano On Her Head, p. 116-117 When we set out to learn a new piece, it can resemble a romance, and we’re...
“To perform at a high level, you have to attain a kind of unity with your instrument.” –The Musician’s Way, p. 257 The newly published Winter 2021 issue of The Musician’s Way Newsletter is designed to inspire and inform our musician community as we strive to...
“You adapt yourself to the contents of the paintbox.” —Paul Klee, painter The Musician’s Way, p. 121 Like a painter dipping into a limited palette, a musician practicing an isolated part has to adapt to material that’s incomplete. A part played or sung out of context...
“Your habits in the practice room make you the musician that you are.” –The Musician’s Way, p. 20 The Fall 2020 issue of The Musician’s Way Newsletter brings together dozens of important resources for musicians, arts administrators, and music lovers....
“When I sit in Paris in a café, surrounded by people, I don’t sit casually – I go over a certain sonata in my head and discover new things all the time.” —Arthur Rubinstein, pianist The Musician’s Way, p. 34 Like Arthur Rubinstein, countless expert musicians use...
