“Beyond personal fulfillment, the decisive aim of practice is to prepare performances because, as an art form, music centers on the interaction between performer and listener.” -The Musician’s Way, p. 4 For vocalists and instrumentalists alike, music making cycles...
“For musicians and arts organizations to achieve financial sustainability, it’s vital that they develop new audiences and build communities of supporters.” -Gerald Klickstein* If we aim to increase attendance at our concerts and, in the process, attract loyal...
“When you project a centered presence from the stage, your audience becomes attentive and relaxed.” –The Musician’s Way, p. 180 The Winter 2025 issue of The Musician’s Way Newsletter has landed in subscribers’ inboxes. It features more than 20 articles of...
“Performance anxiety doesn’t yield to band-aid solutions, nor does it abate on its own.” -The Musician’s Way, p. 146 Camille was a 19-year-old amateur pianist who excelled in school but was petrified to play in public.* Her anxiety had surfaced in...
“We get messed up because we don’t have a clear image . . . and thereby give ourselves too many conflicting messages about how to play.” -Eloise Ristad, A Soprano on Her Head, p. 116-117 The first stages of working on a piece set the foundation upon...
