“Advantageous postures have an active quality; they’re always subtly in motion.” -The Musician’s Way, p. 251 In his book, On Piano Playing, Gyorgy Sandor identifies two features of beneficial postures: stability and mobility. That is, they support the weight of...
“Ten dubious repetitions plus a single accurate one don’t equal security.” –The Musician’s Way, p. 52 Naïve practicers might repeat a passage profusely and make error after error. Then, on the eleventh try, when it finally comes out right, they say, “There, I’ve got...
“It was when I found out I could make mistakes that I knew I was on to something.” -Ornette Coleman, saxophonist & composer The Musician’s Way, p. 190 In the discovery phase of practice, all of us make errors as we try out interpretive and technical...
“Whatever music you play or sing, your aim is to express musical ideas, not spew out notes.” The Musician’s Way, p. 24 Many years ago I had lunch with two veteran music teachers who advocated what I call the “notes first” practice method. In their estimation, students...
“Collaborative music making is one of life’s true joys.” –The Musician’s Way, p. 114 It’s difficult to describe the magical feeling of synchronized music making. Suffice it to say that when we make music together, we ascend to loftier planes. But to reach...
