“You adapt yourself to the contents of the paintbox.” —Paul Klee, painter The Musician’s Way, p. 121 Like a painter dipping into a limited palette, a musician practicing an isolated part has to adapt to material that’s incomplete. A part played or sung out of context...
“Ten dubious repetitions plus a single accurate one don’t equal security.” –The Musician’s Way, p. 52 Naïve practicers might repeat a passage profusely and make error after error. Then, on the eleventh try, when it finally comes out right, they say, “There, I’ve got...
“To get to authenticity, you really keep going down to the bone, to the honesty and the inevitability of something.” –Meredith Monk, singer & composer The Musician’s Way, p. 19 Although we musicians practice in personalized ways, there are three fundamental...
“Repetition inevitably begets habits.” –The Musician’s Way, p. 52 Over the course of our lives, we musicians do a lot of repeating. There’s standard repertoire that we perform for years, and we revisit exercises to keep our technical abilities strong. On top of...
“The Musician’s Way is a gold mine of information that will help musicians around the world.” —International Trumpet Guild Journal, October 2011 In the Spring 2015 edition of The Musician’s Way Newsletter you’ll find a unique collection of articles chosen...
