“Even the greatest virtuosos practice the fundamentals, because they are the basis of all playing.” –Wynton Marsalis Marsalis on Music, p. 124 Scales, arpeggios, exercises . . . boring stuff. Right? I don’t think so. In fact, I find the practicing of such basics to be...
“In order to be creative you have to know how to prepare to be creative.” -Twyla Tharp, choreographer (The Creative Habit, p. 9) Even though musical expertise results from persistent practice, it can be tough for us musicians to stick to our practice schedules...
“The better you use yourself, the better you will play.” –Pedro de Alcantara The Musician’s Way, p. 257 Music making may be the most integrated of all human activities. It’s no exaggeration to say that either playing instruments or singing requires us to coordinate...
“Opportunity is missed by most people because it is dressed in overalls and looks like work.” –Thomas Edison, inventor Parts I and II of this post show that we musicians need inclusive abilities and solid work ethics if we’re to seize opportunities in the new economy....
If you’re a rising musician, you’ll probably have opportunities to perform in competitions. This post will help you decide whether a particular contest is right for you. First, by “competitions,” I’m referring to events organized for students, amateurs and...
“If excellence is a habit (which it is), then students must consistently play in ways that are fundamentally excellent nearly all the time.” -Robert A. Duke Whether we’re practicing or performing, all of us musicians are striving for excellence. But do students really...
“When we practice deeply, we can trust ourselves and execute without forcing.” When you confront a technical challenge in your music making, does a voice within you ever say, “Try harder”? I get the impression that many rising musicians believe that trying...
Have you ever experienced pain or discomfort as a result of your music making? If you answered yes, you’re not alone. Musicians and Injuries As I describe in The Musician’s Way, musicians frequently incur injuries, particularly to hands, limbs, backs, necks, vocal...
Many music students believe that if they can get through a piece in practice, they should necessarily be able to perform the piece on stage. Then, when they become undermined by nervousness, they conclude that their performance problems must be caused by psychological...
