“Only after I have become familiar with the style and character of the work can I start shaping an interpretation.” Yo-Yo Ma The Musician’s Way, p. 24 On a primary level, musical interpretation conveys fluctuations in emotional intensity. And one of the best ways to...
“Whatever music you play or sing, your aim is to express musical ideas, not spew out notes.” The Musician’s Way, p. 24 Many years ago I had lunch with two veteran music teachers who advocated what I call the “notes first” practice method. In their estimation, students...
“There must always be a sense of progression or movement towards definite landmarks.” –Tobias Matthay, pianist The Musician’s Way, p. 23 Rhythm comes alive when it propels listeners through a phrase via what we musicians term “forward motion.” Aside from...
“I may play the same program from one recital to the next, but I will play it differently. And because it is always different, it is always new.” —Vladimir Horowitz, pianist The Musician’s Way, p. 75 Most of us musicians develop a core repertoire that we perform for...
“Only after I have become familiar with the style and character of the work can I start shaping an interpretation.” —Yo-Yo Ma, cellist The Musician’s Way, p. 24 Suppose that you’re an actor who has been hired to perform in a play. When you receive the script, what...
