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Uniting Solitary and Group Practice

Uniting Solitary and Group Practice

by Gerald Klickstein | Nov 10, 2020 | collaboration, creative process, music practice

“You adapt yourself to the contents of the paintbox.” —Paul Klee, painter The Musician’s Way, p. 121 Like a painter dipping into a limited palette, a musician practicing an isolated part has to adapt to material that’s incomplete. A part played or sung out of context...
Varied, Distributed, and Interleaved Practice

Varied, Distributed, and Interleaved Practice

by Gerald Klickstein | Oct 14, 2017 | creative process, music practice

“To get to authenticity, you really keep going down to the bone, to the honesty and the inevitability of something.” –Meredith Monk, singer & composer The Musician’s Way, p. 19 Although we musicians practice in personalized ways, there are three fundamental...
Small Steps, Big Results

Small Steps, Big Results

by Gerald Klickstein | Mar 28, 2016 | creative process, music careers, music practice

“Vision is the art of seeing things invisible.” –Jonathan Swift The Musician’s Way, p. 310 We all know that musical excellence results from smart, steady practice over a span of years. Still, it isn’t always easy for us to practice deliberately day after day....
Artistic Growth During Repetitive Practice

Artistic Growth During Repetitive Practice

by Gerald Klickstein | Mar 20, 2016 | creative process, music practice, The Musician's Way

“Repetition inevitably begets habits.” –The Musician’s Way, p. 52 Over the course of our lives, we musicians do a lot of repeating. There’s standard repertoire that we perform for years, and we revisit exercises to keep our technical abilities strong. On top of...
The Creative Power of Problems

The Creative Power of Problems

by Gerald Klickstein | Feb 28, 2016 | creative process, music practice, The Musician's Way

“My biggest kick in music – playing or writing – is when I have a problem. Without a problem to solve, how much interest do you take in anything?” –Duke Ellington The Musician’s Way, p. 54 No matter how musically advanced we become, we encounter passages...
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